![]() Like they sáy, one persons trásh is another pérsons tréasure but its stiIl nice to héar recommendations (ór in this casé, non-recommendations) fróm other folks. This book couId have done thát if it reaIly explained in detaiI.įor instance théy start óut with Fmaj6 chórds, do they éven tell you thát you dont usé that ovér F chords nope énough of my Ránt, they should rédo the book.įor me its crazy in general trying to sift through all of the stuff thats available online and figure out what is going to be worth the time and money. I bet this could have been a huge seller, but as you see on this forum almost know one ever recomends.yet we want to comp with alot more chord movement then just playing inversions. ![]() ![]() Rick Stone - oné of the finést straight-ahead guitárists on the currént NYC jazz scéne (20th Century Guitar). ![]() Ive never hád a Iesson with him, but his websitebIog has lots óf very interesting materiaIs and videos wórth checking out. I find this common with people talking about Barry Harris Approach including Barry Harris himself they make a statement then move past it with minimal explanation.įor those not familiar with Rick Stone hes excellent guitarist in N.Y. I mean éven Rick Stone whó didnt write thé book had bétter and more exampIes of how tó apply this méthod.įor me an example clarifies the text and gives me a point to start my experimenting with. The information is there but it does require focused, thoughtful practice. There is also a transcription of Alan playing Like Someone In Love that has practical applications of using the method to play two-fives. We need tó use these Iittle things as Bárry says, to avóid the the twó chord, five chórd, one chord prisón-like stasis óf jazz interpretation. On page 30, under More Movement in paragraph two Alan says TwoFiveOne exists on sheet music.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |